Exotic machinery, as Phelps calls it, is the central imagery in his latest exhibition. Captured at the Montlhéry Autodrome, a motor racing circuit in Linas, France, these dynamic and powerful photographs render imagery of 20s-era culture. As an avid collector and enthusiast of motorcycles, Phelps features exclusively pre-war automobiles, which begins to evoke this period even further. Both rare and irreplaceable, the subject matter becomes something of ephemerality. The marvel is just this; it's a moment of temporary transportation to someplace distant yet strangely familiar, the relationship between feeling both power and comfort simultaneously. Phelps' photographs have a staggering depth and beauty that can be most appreciated in their utter mystique.

The images featured in Miller's Fashion, Animal, Sound are all x-rays. The photographs, mounted on aluminum in shadow box frames, display the inner mechanisms of things we don't ordinarily see. They reveal the inner constructs of objects or animals, creating a truly three-dimensional viewing experience.

The images of Fashion, Animal, Sound are perplexing in their simplicity. In the invitational image, Fish Circle, the bodies of several fish, photographed as an x-ray, swarm around a central axis in a circular formation. It is almost as if the viewer is looking at a Rorschach inkblot test.

Photographed entirely in the ethereal lakeside environs of the Adirondacks, Lynda Churilla's latest exhibition synthesizes the aesthetics of strength and softness. Central to this aesthetic theme is the portrayal of Churilla's husband and muse John, who she describes as a source of inspiration. Standing nude and silhouetted in the foreground, the powerful form of John's body is rendered stoic and subdued by multiple mist‐wreathed aquatic expanses and looming woodland scenes.

In the hazy, warm New York summer, little is more refreshing than reclining on the beach in the mist of the icy ocean waves or enjoying a family trip to the country house. Each summer, Rice curates her favorite show, the Summertime Salon, which reminds us of this exact seasonal sentiment. The two, long walls of the gallery become mosaicked, top to bottom, side to side, in photographs that evoke all the preeminent feelings and memories of summer. Each year, the Summertime Salon matures and Rice's annual masterpiece comes into fruition. This year is no exception. The show is a haven of what the Robin Rice Gallery stands for, a community of art and experience.

In his new exhibition, featuring a selection of breathtaking aerial photographs of Icelandic landscapes shot from an ultralight aircraft, Seckler captures a beautifully abstracted natural perspective that is as staggeringly momentous as it is delicate. Picturing various natural and animal forms, from birds to seals, we get a true sense of his astonishing journey. With strong figures and forms, we also begin to feel the sheer power of Iceland's frigid tundra, though, because of Seckler's careful composition, we also understand the subtlety and magic of his experience.

In his latest show, Benjamin Heller invites us to enter a poetic space of echo and convergence. As a photographer, sculptor, and performer, movement is key in this body of work, that is punctuated by self portraits selected from the series "The Long Walk: Analog Narratives". This series features pieces collected over an extended period of time spent traveling. It is a window to the interior landscapes he seeks to find reflected in the world, to contain a sense of this intimate vastness. All of the images can be viewed as variations on a self-portrait.