The idyllic and playful world of The Peconic Bay in Southampton, NY dances to life in Luciana Pampalone's first solo exhibition. Each location was scouted by Pampalone and transformed into a vintage 1930s setting by the use of her models and props. A Graphlex camera, aviator goggles, parasols, retro bathing suit and games of croquet, (just to name a few) subtly tamper with the past, breathing life back into the 1930s. Moment by moment, Pampalone encapsulates the ephemeral quality of life, bending and blending human subjects within the natural landscape.

The Robin Rice Gallery is pleased to present the annual Summertime Salon, a photographic exhibition.

For many, Summertime is a fondness brought on whilst relishing in the lingering mist of the crispy ocean breeze. Each summer, Rice curates her favorite show, The Summertime Salon, and transports us to a world where we can delve into this very summer sentiment. With its smells, sounds, and architecture New York City might redefine what we know as a summer’s day, but Rice, with her intricate curation, brings our classic understanding of summer to the city.

Pete Kelly’s latest show admirably showcases the lush greenness, diverse landscape, and ever-fleeting light of the British terrain. We are invited to join his excursions throughout the country as he brings light to the captivating, idiosyncratic characteristics of the land. He captures the oddities of the landscape; solitary figures bathing in sunlight, silhouette of a frolicking Great Dane in the mist, and subtle remnants of a bygone era. Kelly’s incredibly unique, picturesque editing style further mythologizes his subjects, he meddles with an air of mystery that defines the viewers experience.

The primary subject of Brian Pearson's second solo exhibition is the vast metropolis of Tokyo, Japan. Pearson's images slip alluringly beneath the city's luminous neon skin, seeking out restraint over chaos, contemplation over frenzy. Pearson, in his image titles, credits the architects who have designed his subjects as to honor their contribution to Tokyo's contradictory nature. In his photographs, we see an impulse to step out of our collectively caustic present, transporting the audience beyond the banal platitudes of everyday life. Pearson captures moments of supreme quietude that simultaneously maintain a relationship with the ever-pulsating world.

Exotic machinery, as Phelps calls it, is the central imagery in his latest exhibition. Captured at the Montlhéry Autodrome, a motor racing circuit in Linas, France, these dynamic and powerful photographs render imagery of 20s-era culture. As an avid collector and enthusiast of motorcycles, Phelps features exclusively pre-war automobiles, which begins to evoke this period even further. Both rare and irreplaceable, the subject matter becomes something of ephemerality. The marvel is just this; it's a moment of temporary transportation to someplace distant yet strangely familiar, the relationship between feeling both power and comfort simultaneously. Phelps' photographs have a staggering depth and beauty that can be most appreciated in their utter mystique.